For many years, a large part of his work was experimenting with the movement of the flames, their reconstructive effects on structures burnt by all sorts of combustions. Folds, drawings, books and paintings went through the tests of fire, smoke and their hypothetical symphonies.
His work feeds the trace from his unconscious, his various fascinations are nature, and it would be simplistic to see only the imprint of his personal life. The major element of his approach is “hazard”, intrinsic medium of fire but also omnipresent in his paintings, and in his life. The artist never stops trying to master it while leaving it to interact and give shape to his dreams and his artistic freedom..